Biography, practice, and method.
Nada Pleskonjić works with photography, analogue archives, AI-generated moving images, sound, and text. Her practice explores images as unstable evidence — fragments that can remember, perform, distort, or quietly refuse the reality assigned to them.
Trained in cinematography and shaped by more than two decades of visual practice, she moves between analogue image-making, generative tools, and cinematic narration. Through SÉVOLTA, she develops visual works that examine fractured identities, inherited structures, belief systems, and the fragile border between memory, machine, and meaning.
2006 — Faculty of Dramatic Arts, University of Arts in Belgrade
Cinematography / Degree equivalent to Master’s, pre-Bologna
2014 — Dangerous Ends, Cultural Centre Gallery Dom Omladine, Belgrade, Serbia
2007 — Guide Through Belgrade, Faculty of Dramatic Arts, Belgrade, Serbia
2006 — Sisyphus, Gallery SKC, Belgrade, Serbia
2005 — Opposite Angle, Gallery Cube, Belgrade, Serbia
2025 — AI Art Magazine — Selected Work: We train them to stand still
2024 — Open Prompters Winners, creAtIva Magazine Vol. 6
2024 — AI-Arts.org, Featured Artist / Top 4 AI Artists
2015 — Body as a Regime, Podroom Gallery, Cultural Center of Belgrade, Serbia
2013 — IV International Exhibition Art in Miniature, Majdanpek, Serbia
2011 — PWP’s International Exhibition, NO Gallery, New York, USA
2010 — La Grande Côte en Solitaire, Art Festival Lyon, France
2009 — Urban Jealousy, International Roaming Biennial of Tehran, Belgrade
2007 — 12th International Salon of Miniature, House of Culture, Belgrade
2006 — 12th Biennial of Visual Arts Defense of Nature, Pančevo, Serbia
2006 — 10th International Architecture Biennale, Venice / video work
2005 — Famous Johnny Is Moving On, Gallery O3one, Belgrade
2002 — LIFE, Publicum Calendar Exhibition, Belgrade, Serbia
2024 — 1st Prize, Open Prompters Contest
2024 — Selected among Top 4 AI Artists, AI-Arts.org
2024 — Featured Artist, AI & Architecture Magazine and creAtIva Magazine
Full CV available upon request.